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As more realistic humanoid robot design is technologically possible, they are also emerging in real-life robot design. Robotess is the oldest female-specific term, originating in 1921 from the same source as the term robot.A gynoid is anything that resembles or pertains to the female human form.In the film The Perfect Women, the titular robot, Olga, is described as having "no sex", but Steve Chibnall writes in his essay "Alien Women" in British Science Fiction Cinema that it is clear from her fetishistic underwear that she is produced as a toy for men, with an "implicit fantasy of a fully compliant sex machine".In the film Westworld, female robots actually engaged in intercourse with human men as part of the make-believe vacation world human customers paid to attend. Sexual interest in gynoids and fembots has been attributed to fetishisation of technology, and compared to sadomasochism in that it reorganizes the social risk of sex.
However, she still has some stereotypically feminine qualities, such as a matronly shape and a predisposition to cry.
The husbands' technological method of obtaining this "perfect wife" is through the murder of their human wives and replacement with gynoid substitutes that are compliant and housework obsessed, resulting in a "picture-postcard" perfect suburban society.
This has been seen as an allegory of male chauvinism of the period, by representing marriage as a master-slave relationship, and an attempt at raising feminist consciousness during the era of second wave feminism.
The 1964 TV series My Living Doll features a robot, portrayed by Julie Newmar, who is similarly described.
More recently, the 2015 science-fiction film Ex Machina featured a genius inventor experimenting with gynoids in an effort to create the perfect companion.
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The stereotypical role of wifedom has also been explored through use of gynoids.